Last month Mary and I (and several million of our closest friends) went to Lyon for La Fête des Lumières.
We took a train (well, an autocar and two trains) to get to Lyon, and popping out of the Part Dieu metro and up into the city on a sunny Saturday, I realized I knew exactly where I was.
In college I spent a summer in Lyon studying French. Those few months represented a lot of firsts: first time flying alone, first time going to a foreign country to live with strangers, first time drinking wine and going out…oh, and my first time speaking French in France.
The trip gave me so many new experiences and several good friends. When I look at my sun-kissed pictures from that summer, that’s what I remember. There we are eating paella in Marseille, swimming in the Mediterranean, walking through lavender fields in Provence, climbing the winding steps of the Notre Dame.
But the reality was more complicated, filled with the kind of stuff you don’t take pictures of. There was a lot of getting lost, embarrassing moments, red cheeks, unintended offenses, and vows to never leave the house again. There were a lot of headaches, something that happens when it takes extreme concentration to follow a simple dinner table conversation. There were some tears. Oh, and a sinus infection.
So, despite les belles experiences, of which there were many, I never felt quite à l’aise (at ease, comfortable) in France or in Lyon.
It took some time, but I no longer feel like France is out to get me, so it was satisfying to be back in Lyon with French fluency, confidence, and an evolved sense of direction.
We walked from the Part Dieu to the Parc de la Tête d’Or, where I remembered Stephanie and I having picnics in the grass after class, me falling asleep in the sun reading Anna Karenina. We passed the lake where Florent and I would feed stale baguettes to the ducks and geese.
As we approached the rivers, all I could think about was how beautiful it was. How had I lived among this and not gaped at the beauty of the bright-colored buildings along the Saone, or the splendor of the Basilique de Fourvière jutting out high above the city?
I then remembered that I had. But I’d become accustomed, as one does to both beauty and hardship. C’est normal.
The time away gave me the chance to see Lyon’s beauty anew, since my current “normal” is a small sleepy town; riding a bike by the light of the moon should I decide to participate in nightlife.
Throughout the weekend Mary and I played tourist, standing in lines for brioche aux pralines from a well-known boulangerie, talking at length with artists selling work along the river, hiking up to Fourvière for the view, eating quenelles in a cozy bouchon.
But the main attraction, bien sûr, was Saturday after dark. It was the third and final night of the festival of lights, and the city was lit up like a fairytale world. Buildings glowed along the river, and cathedrals, bridges, train stations, and more were completely transformed by color and sound.
There were over 41 light installations, little shows that played on a loop from 8 pm to midnight. There was a dreamy short film projected onto a ferris wheel, dancing robots, dinosaurs, lanterns, and a virtual sun rising and setting on the hill high above the city. Some of the pieces seemed to provide a kind of cultural commentary, some of them just seemed fun.
All together, the effect was that of a surrealist dreamworld, of getting swept away by neon lights, beautiful music, twinkling bridges.
Unfortunately, that also meant getting swept along by the crowds: the several million people I mentioned earlier. Lyon is one of France’s bigger cities, but typically feels quaint and cozy compared to Paris. Both population and tourist-wise, Lyon doesn’t come close to Paris. Except, I learned, during this festival.
We stood miserably pressed together, able to take a step or two every minute or so. I couldn’t help but think of the times I had a whole square or a whole street nearly to myself. The upside? All that body heat made the low temps a little more bearable.
It wasn’t so bad for the majority of the installations, where you were free to walk around as you pleased, but this was the “line” for perhaps the most popular installation: the projections on the front of the Cathédrale St. Jean, a work called Evolutions.
Happily, it was worth the wait. It’s fair to say it was one of the coolest things I’ve ever seen: bright 3D lights transforming an ancient cathedral into a moving piece of art. There were falling leaves and breaking glass, lace and waves, all accompanied by a futuristic instrumental piece that sounded like something by STRFKR. The anachronism between this structure, in the middle of the vieux part of a city deemed a UNESCO world heritage site, and the weird and wonderful things now happening on its surface, was a delight to see. There was even a point where the artist made the cathedral seem to “short out” and flicker off, like it was a TV station with bad reception. Such a playful way to question perception.
It was hypnotizing and beautiful. I stared, transfixed, and watched the show twice.