snowglobe city: alone in italia, day seven

In my last full day on the Ligurian coast, I found myself far from the crowds, in a village one could reasonably conclude was populated only by renderings of the Madonna and electric green lizards like flashes of light.

Maybe it’s Cinque Terre, maybe it’s Italy, maybe it’s luck, but my time here has brought a lot of getting lost in the best way. There have been no blisters or tears or sleeping in train stations, but rather a lot of unexpected, unplanned beauty in a place that seems to hold no wrong turns, only choices. Left or right: pick your pleasure.

Once again I had woken to a day where nothing was expected of me and where I expected nothing. Bliss. After lazy bread and butter breakfast in the common room of the hostel, with my dear view of the church belltower in Biassa, I went downstairs to write. Tired of typing out blog posts on my iPhone while lying in a bunk bed, I had since migrated to the computer near the front entry. It was a distracting but fun place to work that led to several good conversations.

I wasn’t long into it before Damiano asked what I planned to do that day. To my cheerful “nothing,” he suggested I take the train in La Spezia past the Cinque Terre villages to Levanto, where I could rent a bike and ride along the coastline.

I had missed the morning shuttle, so Andrea again gave me a ride down to La Spezia, right to the train station.

In Levanto, the air felt purely tropical. I followed the signs into town and found a bike rental place without trouble. For five euros, a cheery purple bike with a basket was mine until 6 pm. To find the trail, I followed some tourists on bikes until I saw the signs for myself. Levanto to Bonassola to Framura.

The trail is a renovated railway tunnel, which means it is cavelike and agreeably flat. The long stretches of dark and chill would be suddenly broken by openings in the rock every two or three minutes of cycling. They left me blinking in the sunlight and relishing the 15 degree temperature jump. acs_0859I followed the trail to the end, which didn’t take long as it’s only about 5km. I parked my bike overlooking a small port and started walking. I was at the end of the line, in Framura, which I later learned is a town composed of five separate villages. I took some steep stairs for about ten minutes and found myself in one of the five.

It was so quiet I could hear the brush of lizards through leaves, laundry flapping on lines, my own footsteps. The loudest noise was a stream that seemed to originate far above me and end near the sea. Other than my presence, there were no signs of modernity. A village preserved in amber, emptied of inhabitants and immune to the passage of time. A snowglobe city. Madonna stared at me from fountains and above doorways, and besides her ancient gaze, I felt completely unobserved.  acs_0876I crossed a church that I found unspeakably lovely, more so for how it hid in these hills, something so pure and sad about that. Time had barely sullied its facade–marble striped white and lavender–though vines wound up its bell tower. The area smelled of moss. Had the heavy wooden doors been unlocked, I might well have entered Narnia.

Attached to its side was the cheerful anachronism of a basketball hoop, a suggestion of life and play despite the quiet. acs_0849

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acs_0875acs_0877 After a good twenty minutes of enjoying the silence (à la Depeche Mode), I cycled back to Bonnassola and Levanto, where signs of modernity were rather more abundant. I ate really good arancini and accidentally asked the boulanger in Italian: what are you doing. (A whole new language to make weird and startling errors in, and boy am I excited about that.)

I braved the Cinque Terre crowds one last time, bidding adieu to my favorite of the villages, Manarola, with a final souvenir. img_5732

travel notebook, portovenere: alone in italia, day five

acs_0767By the fifth day of my trip, I am exhausted, and sleep so late I barely have enough time to get ready and leave my room before the lockout hours of 10:30 to 2. It’s raining pretty hard, but I’ve missed the shuttle, so I have my coffee and put on a rain jacket, with a loose plan to walk from the village where the hostel is located–Biassa–down to La Spezia, where I can take the train. It should take an hour and a half to walk those same (traumatizing) hairpin curves and is, quite frankly, a dumb idea.

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Luckily I am saved from myself. Downstairs, I’m greeted with a ciao and a question from a guy I recognize vaguely: the shuttle driver from the first day. He asks if I’m going to La Spezia because he’s heading that way, and he’s just about to leave. His name is Andrea and he’s from La Spezia and has been working at the hostel for just a month. He’s 25.

He speaks in English, punctuated with allora, and I do my best to answer in my rough Italian, which gives me a very clear picture of what I need to work on or learn. I make a mental list: past tense of ‘to see,’ ‘andare’ conjugations in the future, the word ‘before…’

The great thing about speaking to someone my age, who’s not trying to impress upon me a detailed grammar lesson, is the language improvisation muscles I’m able to flex.

My Italian tutor, Gianluca, is a great teacher who provides interesting cultural materials–we read Italian fairytales or articles that discuss the surprising success of Campari in the US–but sometimes I wish we could just have a conversation about Cinque Terre, for example. Or that I could learn how much is that, or, ATM or, can I please have the check, none of which, surprisingly, I know how to say. I may search an everyday conversation kind of partner to bolster the grammar workout I get in my lessons.

Andrea finds parking and then asks me what I’m doing today. The truth, and my typical travel strategy, is I have no idea.

I try to stay as unplanned as possible, and once again, it proves a success. Andrea asks if maybe I’ll go to Portovenere, or rather tells me I will, in that direct European way: allora, you’ll go to Portovenere today.

I’ve got my rain jacket and sneakers, I’m up for anything. Perchè no. 

My other motto: listen to locals. acs_0745

We walk through La Spezia’s morning market where Andrea tells me he used to work- He greets his mamma who is buying cheese. We visit three tobacco shops before we find one still stocked with bus tickets to Portovenere.

“We have coffee now?” He shows me to a Sicilian bar where we continue a conversation in an Italian-flavored English patois. I have a bad habit, I’ve learned. If I don’t know a word in Italian (very likely at this point), I automatically substitute the French equivalent. The problem with that is, most of the people I’m talking with speak much more English than they do French. The result is a garbled mélange of tre languages that does more to impede communication than anything else.

Andrea shows me to the bus stop and I’m on my way to Portovenere, which I know nothing about. The drive is once again nauseating. I observe passengers and concentrate on not throwing up. There’s a little French boy seated next to me, so excited he can’t sit still. He makes me smile, reminding me of my second-grade students from last year.

Portovenere is calm. That’s my first impression. Fresh air. Cinque Terre emptied of the selfie sticks and waiting lines for photo ops. A slight drizzle falls and boats creak in the port.

I enter a striped marble church on a cliff. Inside, a single candle is burning. Outside, through the narrow windows, the sea is stormy.

It is an atmosphere ripe for a Romantic poet, an impression validated when I come to “Grotta Byron.” Engraved over a door made of stones, it is written This grotto was the inspiration of Lord Byron/ It records the immortal poet who as a daring swimmer defied the waves of the sea from Portovenere to Lerici. It must have been a seriously demanding swim to merit recognition like that, in marble, no less. Apparently, the “daring” poet would “defy” the waves in order to visit friend and muse Shelley, who was living in the village San Terenzo.

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The black, stratified rock of the promontory is slick with rain, and I edge down it carefully. Yellow flowers spill over the rocks and the air once again smells of honeysuckle or jasmine. I surprise a seagull in his nest and he squawks at me, loudly, just once.

Staring out at the sea is a woman, gathering her dress in her hands, frozen in an expression of quiet resignation. She’s not real, but she could be. She seems to breathe, almost, and the rain falls down her carved cheeks like teardrops. She sits like someone too hopeless to take shelter from the storm. What’s the point?

I think she is waiting for a lover who will never return, lost to the sea. Mourning, perhaps with just the faintest glimmer of hope: maybe

There is no plaque, no dedication, no direction to listen to Section 6 on your audioguide, and I am charmed by this, by this sad, solid, nameless woman in the same color as the sea.

acs_0701 I start down some stone steps, almost missing the sweet scene of pink petals swept to the ground by the rain. Next to them is the tiniest snail.

I think: that looks like poetry, before remembering the specific piece it brings to mind. Ezra Pound’s one-sentence Imagist poem, “In a Station of the Metro”: The apparition of these faces in the crowd; Petals on a wet, black bough

Famished, I eat at what seems to be the only restaurant still serving. I have trofie (a pasta specific to Liguria) with pesto. I am firmly in basil country here. As noted, they’ve even found ways to include the herb in really delicious gelato.

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I continue my walk, and when some bored waiters see me with my camera they shout in English, “hey! Take our picture!” So I do.

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