shoebox in paris

Thoreau said, “I would rather sit on a pumpkin and have it all to myself, than be crowded on a velvet cushion.”  

It’s a fair sentiment, though with my budget, I’m more likely to be crowded on a pumpkin.

Using AirBnb, the glorious startup that connects travelers with private homeowners in the perfect meeting of supply and demand, I’ve had the comfort of a cozy, well-priced place to sleep in Strasbourg, Lyon, and the Riviera.

I’ve also found a few pumpkins: simple, private, and deathly uncomfortable.

The most memorable is a studio apartment in Paris.

“Apartment” is generous, “broom closet” somewhere closer to the truth. I think the ad, actually, described the place as A Shoebox in Paris. I respect “Olivier” for the honesty. While poetic, he did not use “shoebox” as a charming diminutive, but as a realistic description of the room’s actual dimensions.

The room was the size of a spacious American bathroom.

But it was Christmastime, and the idea of it all was irresistible. Despite arriving via a seven hour OUI bus from Strasbourg, it felt impossibly glamorous to be spending the week in the City of Lights. Given my history of misadventures, I should have known better, but once again I was starry-eyed. I pictured museums with no lines (and I’d get in free with my carte d’éducation). I dreamt of flawless French classics: buttery steak and perfect crème brûlée. There would be a light snowfall around the Eiffel Tower. 

It was so close: the perfect winter vacation, great escape from Montluçon. But first we had to lug our bags up six flights of stairs.

The task accomplished, the first problem we encountered was where to put our two suitcases. To give an idea of the available space, the bed was such that, should you share it, one person was effectively sleeping in the “kitchen” (a hot plate, a sink), while the other lucky traveler had an excellent view of the bathroom, sleeping nearly inside it as they were.

You had to step on the bed (and over a sleeping roommate), to access the bathroom, actually, which “closed” via a sad little accordion door and which contained a crusty bar of soap and an emphatic note in a rough English translation explaining how exactly to flush the cantankerous toilet.

There was one spot of glamour in the room, a small coffee table that accumulated over the course of our trip articles that advertised an entirely different sort of vacation, the kind that doesn’t involve freezing showers, the kind that might allow a bath towel in place of a washcloth.

The table held bright new novels from the Shakespeare & Co English bookstore, a bottle of pale pink Chanel Mademoiselle, and the creamy pastel boxes and bags from our visits to Ladurée for macarons that, temporarily, made me feel like a queen at Versailles instead of a mouse in a shoebox.

This wobbly balance between glamour and grunge became a theme for the week (and truly, for my whole life in France).

Christmas Eve, we wandered around looking for that perfect little brasserie. An hour and a walk through Montmartre and Pigalle later, we admitted defeat and had Christmas Eve dinner in a Chinese traiteur. We sat in our skirts and tights and heels and ate egg rolls and orange chicken, eight euros a person. The restaurant was empty, save for the family that owned it: the little girl playing by herself, the father watching a ninja movie in the corner. But we ate on fine, pretty plates and drank wine out of heavy glasses, leaving lipstick on the rim.

Then we went to Christmas service at the Notre Dame. Candles, the Christmas story in French. The organ music thundered through the cathedral and I felt stunningly small faced with all this grandeur, all that history, all those people.

Christmas Day we spent at the Pompidou, the quietest I’ve ever seen that place. My Christmas tree this year was a modern art piece: colorful bulbs that lit up suddenly every few minutes.

For Christmas dinner, wanting to avoid Orange Chicken Part II, we googled best Christmas dinners in Paris and booked one, a splurge. We ate at a beautiful place in Montmartre, feasting on oysters and foie gras and a fruit salad with lychees and the recommended wine pairing. The restaurant was full of non-Parisiens. The locals, we assumed, were home with their families.

The trip, like our AirBnb, wasn’t all it was cracked up to be. It was exhausting. Paris was cold, rainy, and gray, and there were more tourists than ever.

One day we went out of our way to go to a Christmas market near Nation. A far cry from the Christmas market we’d enjoyed in Strasbourg, this one was dripping and pitiful, on its last day. Most booths were closed, and still we got conned into buying expensive cheese. A lady yelled at me about gingerbread. We talked with a chef selling Portuguese custard tarts who disclosed his love for Merle Haggard and started singing “Okie from Muskogee” (definitely the best part of that day).

Overall we spent too much time in the dystopian underworld that is the metro, and we ran out of money and had to eat lentils for a month afterwards.

In pictures it is lovely, all pale sunsets and gold lights, but really it was cold and cramped and a little lonely in the way that Christmas without your family can be.

I know this, remember this, and still I am nostalgic. How was it that not so long ago I rented a terrible, memorable little shoebox in Paris with my best friend? Where are the croissant crumbs and freezing fingers, or, on fortunate nights, the oysters and champagne? Where are the endless espressos and afternoons free to wander?

Christmas in Paris was like the room’s promoted “Eiffel Tower view”: both sound a little more glamorous in the telling.

But we did have our shoebox view. It was there, if we stood on the bed to see out the high window. If it wasn’t obscured by the January clouds.

The trip, the view: awkward and uncomfortable and lovely still. There it was, if we were lucky: the top of the tower, sparkling brilliantly into the night.

 

humble pie in lemon land

Scene: late February. A sunny day in the South of France. A garden blocked from outside view by tall barriers and security guards. Hordes of elderly people wielding cameras and smartphones crest the hill. It’s a viewing platform, actually, all the better to gaze at a lion made from citrus fruits. img_8923-1

“Circle of Life” plays faintly in the background and a breeze carries the delicate scent of oranges.

Mom and I both are younger than the majority of the crowd by a good twenty-five years. I am not, in the view of the retired French people passing me as I pose for a picture in front of a house made of oranges, dressed for the weather. It’s a bright 63 degree day, but apparently still too early in the year to show one’s shoulders. They mutter about how I must be freezing, how “the poor girl needs a coat.”

How did we end up here?

When I realized several months ago that I was going to get to take my mom on a tour de France of sorts, I was a bit overwhelmed and then excited by the possibilities.

France was our oyster. I wanted to show Mom where I’ve been living in the Auvergne, but transportation to and from the area isn’t very manageable. Eventually I counted it out, promising to take lots of pictures instead.

Scouring the internet for some lesser-known French treasure, preferencing somewhere with sun, I saw a large sculpture of an elephant, made from oranges. Different. I followed a few links and learned that the image was taken at la Fête du Citron in Menton, France.

A lemon festival in a small town on the French Riviera.

Sounds kind of cool, right?

I pictured a charming, authentically-French community, colorful and lively. Markets and gardens. The churning Mediterranean sea. All enhanced by a quirky small-town lemon-scented festival.

To be fair, it was all of these things. But.

As soon as we saw the heart of the festival: a rectangular garden filled with revolving citrus sculptures underscored by tinny Broadway music, I wondered if I had made a terrible mistake.

Scenes flashed through my head. The many times, recently, I had told a French friend or colleague: “yeah, I’m really excited for les vacances. My mom’s coming, all the way from the United States. We’re going to Menton, in the Côte d’Azur. “For,” I had said, and here was the kicker, “la Fête du Citron.”

Currently, or so I had told many people, my raison d’être was a garden of Broadway paraphernalia. img_0767

I was staring at a big slice of humble pie. Lemon-flavored. Naturally.

Mom and I were in hysterics. The horror dawned. We stared as a cheery Mary Poppins revolved on her platform.

Mom. I could hardly get the words out, gasping with sheepish laughter. I told people we were coming here. Just for this. 

So it hadn’t been just in my imagination. When we met the neighbor who let us into our Airbnb in the Vieux Menton, he expressed surprise that we were American. That my mom, who doesn’t speak any French (yet!), had found herself in such an out-of-the-way place.

Yeah, we’re here for the Fête du Citron, I had said breezily. As if, yeah, c’est normal, it’s every day that someone flies thousands of miles to look at a tribute to Singin’ in the Rain.

I burned with embarrassment now, remembering, comparing my ideas with what I was seeing now. I had the strange feeling of having aged too quickly (try fifty years) in a day.

“Wow, Jess,” Mom said, sarcasm on full tilt, a faux-dreamy look in her eyes. “It’s everything I dreamed it would be.”

“Yeah, well,” I said, snickering. “Yeah, well. It’s worse for you, Mom. At least I live here. You flew over from the middle of the United States to come to this.”

I took some pictures and realized that if I aimed away from the army of French tourists pointing cameraphones, the photos would come out pretty cool. I like pretty pictures. But then I realized I was obligated to write about it. Tell the truth. Or else a friend might see one of the photos, be spurred to action like I had been. They might never forgive me, or at the very least, question my taste. And see, I value my friendships.

Later, on a train, I heard some older ladies chatting and translated for Mom: “the festival was especially good this year.”